Shes got a date for lunch in Singapore, Holds stock in I.B.M. and hates Dior. She puts up her make-up on at 6.00am She goes to work, gets home then puts it on again
And its a mystery how wild that girl can be; Shes got so much energy; Shes such an expert at surprising me. Shes hyperactive when she starts to dance. And shes so attracted to a wild romance, And more effective than a stimulant - Shes hyperactive. Shes hyperactive when she starts to dance. she never missed a beat or missed a chance, And Im persuaded by her argument. Shes hyperactive.
The other dancers hypervantilate and start to sweat. One look at her - I know the nights not over yet. She says Where are we going now? Her voice is sweet and soft. I think she lost the key that turns her motor off.
And its a mystery how wild that girl can be; Shes got so much energy; Shes such an expert at surprising me. Shes hyperactive when she starts to dance. She never missed a beat or missed a chance, And Im persuaded by her argument. Shes hyperactive. Shes hyperactive when she starts to dance. And shes so attracted to a wild romance, And more effective than a stimulant - Shes hyperactive.
And its a mystery how wild that girl can be; Shes got do much energy; Shes such an expert at suprising me. Shes hyperactive when she starts to dance. And shes so attracted to a wild romance, And more effective than a stimulant - Shes hyperactive. Shes hyperactive when she starts to dance. she never missed a beat or missed a chance, And Im persuaded by her argument. Shes hyperactive.
Shes hyperactive when she starts to dance. She never missed a beat or missed a chance, And more effective than a stimulant - Shes hyperactive.
Shes hyperactive when she starts to dance. She never missed a beat or missed a chance, And more effective than a stimulant - Shes hyperactive.
Compositores: Robert Allan Palmer, Tony Ray Haynes, Dennis e Nelson ECAD: Obra #1777310 Fonograma #12012776